LETTERS to the EDITOR
Views expressed by contributors are not necessarily those of the editor or of the BDRA. Information is published in good faith but no liability can be accepted for loss or inconvenience arising from error or omission
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Dear Sir I was interested to read the
various comments about the new rail bridge and possible improvements to
the War Memorial area. There is no doubt the refurbished bridge is a
great improvement especially as it appears to have been covered with
anti graffiti paint. Yours faithfully J.Henton Dear Mr Stansfield First of all thank you for
printing my birth place, Shelleys above the arch, many times in The
Resident. I was born there 1 July 1920, also I was christened in St Mary
Magdalen church in the High Street Yours sincerely L.R.Scott (Mr) The Editor Dear Sir “What I tell you three times is true” I do not know which of his
associates Lewis Carrol was “knocking” when he put those words into the
Bellman’s mouth, in “The Snark”, but his implication is clear. If you
say a thing often enough, people will believe it, rightly or wrongly. Sincerely D.E.Twichett.
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Dear Resident, Your last issue included a four-page questionnaire from the Billericay Design Statement Association. No doubt their intentions are well-meaning but their activities and methods must be open to doubt. Billericay, like most towns and cities, has grown to what it has become over the centuries by trial and error and under the influence of changing aesthetic fashion. Throughout the centuries many mistaken and ugly buildings have been erected and demolished. We are left mostly with he best. The residents in the 18th Century undoubtedly felt that the 16th and 17th Century buildings had passed their sell-by dates and knocked them down to build in the latest style buildings which we now revere. Had there been preservation orders on the earlier buildings we would not have the benefit today of the later ones. We cannot preserve Billericay in aspic; the best we can do is to manage change to encourage the best of modern architecture when an older building has to be replaced. Most often there is no ideal solution and there has to be a trade-off between gains and losses. If there are guidelines which are too restrictive we end up with more characterless pastiches of older styles and nothing which speaks of the age in which we live. We have more than enough mock Tudor, faux-Georgian and Disneyland thank you very much. Whilst it seems superficially attractive to consult residents about how they want their town to look, any consultation needs to be thorough and thoughtful and any questions posed should be expressed in a neutral manner in order not to lead the respondents. This questionnaire was a sad and dangerous document. It was full of motherhood and apple pie questions about having more trees and preserving the green belt which were hardly worth asking. But at least they were harmless. More worringly, the most important questions did not lend themselves to simplistic “agree-disagree” answers. An example was “flat roofs have aesthetic and practical disadvantages and should be avoided” - a heavily loaded question if ever there was one. The danger here is that hearsay about the tendency of flat roofs to leak and the prejudice inherent in the question’s wording could lead to widespread agreement with the proposition and for such a prohibition to be included in the guidelines of the style police. What then happens if somebody wants to build a loving recreation of a 1930s art deco style house using the latest leak-proof technology or someone else wants to build a 21st Century eco-home with a flat roof to collect rainwater and house solar panels? Or a developer wants to use stylish modular factory building methods to create affordable housing? This type of questionnaire gets democracy and market research a bad name. It seems designed to encourage to NIMBYism and Luddite attitudes. As with TV ratings, reduce aesthetics to head-counting and you inevitably get the lowest common denominator. We should elect people to make informed decisions – if necessary calling in evidence from professionals – and let them get on with it. By all means let them canvass public acceptability of major concrete proposals as widely as possible - using models and drawings, etc., - but inviting the public to set the guidelines in the abstract for flat roofs and fences, the siting of satellite dishes and wind turbines, etc., is sheer nonsense and a waste of time and money. Instead of designing rules to prevent change we should think of ways to incentivise architects and designers to change our town for the better by attracting the very best. Yours Andrew Papworth
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