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William Stukely - The First Megalithic Artist


Stukeley rode through most of the English counties in the 1700s making notes and sketches of anything that interested him. As records of ancient monuments go, these have never really been surpassed. Archaeologists still refer to Stukeley’s plates and to the manuscript notes and sketches. Many of these are in the Bodleian Library at Oxford. They were quite accurate accounts, often the only ones ever made of monuments that have now vanished.

Stukeley studied the stone circles at Avebury and he saw the pattern of a serpent in the landscape. An illustration drawn by Stukeley for his book on Avebury shows this. John Aubrey’s most important contribution to the study of British antiquities was his Monumenta Britannica that includes a plan of Stonehenge. In 1648 near Avebury in Wiltshire he recorded the site of a great prehistoric temple about the village. In the following century, Stukeley was to develop the claim that Avebury was as an ancient cult centre of the Druids

 The Antiquarians
Megalithic Artists
Modern Megalithic Artists

Stukeley's demonstration that 'the true religion has chiefly subsisted in our islands' was his survey of Avebury, The famous plate in his book shows its stone circles and avenues forming over several miles of country the image of a serpent passing through a ring. Stukeley used some artistic licence to make the head an oval.  He declared that the entire Avebury image was an ancient universal symbol of early Christian orthodoxy and proposed to reconvert the world to the true patriarchal religion and to bring about the New Jerusalem in Britain.

Although his aim was never achieved, his Druid propaganda has proved highly effective and the 'Ancient Order of Druids' has flourished ever since with their right to occupy Stonehenge at the summer solstice,
 

Stonehenge
The earliest known image of Stonehenge, from a 14th century manuscript, is unique in making it rectangular. The earliest legends of Stonehenge, as recorded by, medieval chroniclers, made it the scene of a battle or massacre. Later antiquarians supposed it to have been the scene of priestly sacrifices.

Stonehenge on a 14th century manuscript

John Aubrey in the 17th century, recorded his opinion in his manuscript “Monumenta Britannica”, that Stonehenge was a temple of the Druids'. This paved the way for a further theory that Stonehenge was designed as a temple-observatory where early astronomers could watch and record the movements of the sun and moon. Caesar and other Roman writers state that the Druids practiced astronomy.  the site is orientated towards the point of sunrise. at midsummer. This feature had been recorded by Stukeley in 1740.

Stonehenge 1867 - one of the first photographs

Stonehenge 1901

 
One of the earliest megalithic illustrations
Sainte Genevieve with her flock in a stone circle was painted in the late 16th century. 

16th Century

This picture is in Church of Saint-Merri in Paris and is one of the earliest of megalithic illustrations. The 5th century shepherdess, Sainte Genevieve, was the patron saint of Paris She lived outside the city, at Nanterre, where relics of a stone circle still survived at the beginning of this century. Sainte Genevieve saved Paris from Attila's Huns by the power of her prayers, and the circle which she frequented was said to have a similar power over the River Seine, holding back the water in times of flood.

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