A number of editions of Compotus have generously been made available by Sheila Jennings, Paul Kennett and another ex-pupil. Despite having been stored under less-than-ideal conditions, apart from significant rusting of a few staples, the volumes have withstood the years remarkably well.
Pages from the collection can be accessed directly from the catalogue below using the blue hyperlinks:
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Year |
1956 (Vol 6) |
1957 (Vol 7) |
1958 (Vol 8) |
1959 |
1960 (Vol X) |
1961 (Vol XI) |
1962 (Vol 12) |
1963 (Vol 13) |
1964 (Vol 14) |
1966 (Vol 15) |
1967 |
1968 |
1969 |
Contrib. |
P.K. |
P.K. |
P.K. |
P.K. |
anon. |
anon. |
anon. |
anon. |
anon. |
anon. |
S.A.J. |
S.A.J. |
S.A.J. |
Page range |
0-11, |
1-9, |
1-5, |
0-8 (Mikado), |
3-16, |
1-10, |
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12-15 (Lady Precious Stream), |
6-13, |
9-19, |
9-19, |
17-23 (The Crucible), |
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18-27), (Quiet w/e) |
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S.A.J. - Sheila Jennings
P.K. - Paul Kennett
Note: There was no Compotus issued in 1965.
[Technicalities: page-pairs comprising text consume about 140KB (but pages with photos can take nearer to 700KB). So, for convenient access, pages are stored in clutches of about ten (normally totalling less than a MB) which, using an uncongested dial-up connection, can be downloaded in three or four minutes.
To achieve an apparent 'grey-scale', photographs in Compotus have been printed using the traditional technique of employing a pattern of tiny black dots - but this can cause distracting artefacts when viewed on a PC screen. So, to mitigate this, some of the more interesting photographs have been scanned (at 300ppi) as greyscale images, and then blurred to spread the dots. Some of these photos are presented individually.]