wp356d543e.png

© 2008 Museum of Communication

wp356d543e.png
wp2165405a.png
wp852630d6.png
wpd3ee3560.png
wp62620623.png
wpa5fc221c.png
wp7b7806d1.png

wpb301bd9c_0f.jpg

1930’s onwards

Moving on, design possibilities were extended by two important developments. Firstly, speakers became smaller, and so could be incorporated into the cabinet. One result of this was the introduction of "portables". The Burndept Portable 5 (1927) which cost £30, is typical of early portable design (see left). Considering that it weighed 42 lbs (18 kg) with batteries, "transportable" might have been a more appropriate word! The second development was the introduction in the early 1930's of Bakelite. It was cheap, lightweight and because it could be moulded, conventional shapes could be disregarded.

 

The "Round Ekco" (1935) was one of the most popular sets of the day, costing an affordable £8.18.6d. Although available in colours, public preference was for the conventional brown imitation burr walnut case. Radio played a very important role in WW2, and the two major protagonists mass produced receivers at low cost. The Ekco model AD65 (see right), designed by Wells Coates for E.K. Cole Ltd. This is the first of a series of 5 round Ekcos - 1934-'45. First radio to change from 'boxy' wooden cabinets Bakelite-1934.

 

wp8af20021_0f.jpg

wp584a6407_0f.jpg

The Deutcher Kleinempfanger (1938) or "German People's Set" was a potent propaganda tool and had a very limited range, allowing listeners to be "educated and informed" by local transmissions but not "contaminated" by foreign ones. Note the swastika on the front of the Bakelite case. When, in 1943, it became apparent that many British people had radios which were no longer in working order, the Government authorised cheap replacement sets. These Wartime Civilian Receivers used the absolute minimum of material and components and were fitted into cabinets constructed from plywood or even tea chests.