Abbott 'Monarch' Banjo Ukulele
| An
early Jack Abbott Jr. instrument manufactured circa 1983. Although no
logo on the peghead it is unmistakably an Abbott. Imprinted on the back
of the peghead is the word 'Monarch' and is one of the few that he made
with bottom tensioners.
This Banjo Ukulele was being offered to members as a prize in the George Formby Society 'Grand 40th Anniversary Draw' which was drawn at the September 2001Convention in Blackpool. The lucky winner was Francis Terry from London. See the GFS website for details of how to join. Also see below for the provenance of this beautiful instrument |
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A Long ‘Lost’ Friend ..... Walking past the tables of the Society Shop at the last November meeting I noticed this rather attractive Banjo-Uke which had been put on display as a raffle prize, a photo of which appeared in the last ‘Vellum’, and it seemed strangely familiar. When I went to have a closer look at it I suddenly realised that this instrument was my old Abbott ‘Monarch’ that was made for me by the late Jack Abbott (Jnr.), and I thought that you may be interested to know a little more about it’s history. My main interest within the Society has always been with the instruments themselves, their history, and their connection with George Formby, and from 1979 when I joined the Society I always wanted to have three instruments in particular; a ‘Ludwig’, a ‘Gibson’, and an Abbott ‘Monarch’. I was fortunate enough to already own a ‘Ludwig’, and I then bought a ‘Gibson’, but the only Abbott ‘Monarch’s’ available were the excellent but more recent models made from the mid-seventies onwards, and I very much preferred a ‘bottom tension’ model with ‘slots’ in the flange like the older pre-war models. Eventually, in about 1983 I decided to ask Jack Abbott (Jnr) to make me one, and at first he refused point blank saying that he had neither the time nor the inclination to tool up and make a model based on his Father’s design. However, when Steve Helme heard what I was trying to do he became very keen to have one as well, so I went back to Jack and pestered him again and again until he finally, though still rather reluctantly, agreed to make us both an Abbott ‘Monarch’ in the pre-war style, but he stressed that it would not be a complete copy. When the two finished instruments were delivered Steve and I were absolutely delighted with them, and Jack later told me that they were the last two ‘bottom tension’ banjo-ukes that he ever made, although he did make one or two other top-tension ones shortly afterwards before he finished making them altogether. That instrument gave me a huge amount of pleasure and it was a delight to see it again at Blackpool. The sad thing was that when I eventually found a pre-war Abbott ‘Monarch’ I very reluctantly decided to sell the one that Jack had made for me, so I was especially pleased to see it again last November. So I can verify that the instrument in the Grand Draw which appeared on page 13 of the Winter 2000 edition of ‘The Vellum’, is a genuine bottom tension Abbott ‘Monarch’ banjo-uke made for me by Jack Abbott (Jnr), and the lucky winner will end up with an excellent, and rather rare, instrument. John Croft. December 2000. |