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The Railway Children

 

 

The two albums of the The Railway Children have been digitally re-mastered to make a 2-CD set featuring Johnny Douglas and his Orchestra playing music from the motion picture and Lionel Jeffries narrating the story with extracts of dialogue and theme music from the film. The result is an enchanting double album that will delight both adults and children.

www.iknow-yorkshire.co.uk has information on Oakworth Station, Haworth, the location of The Railway Children film, as well as listing Yorkshire hotels, B&B's and holiday cottages.

 

 


Compact Disc DLCD 120

The story of the making of The Railway Children started when Lionel Jeffries was sailing in the Queen Elizabeth with his family to New York.  During the voyage his daughter Martha had been reading The Railway Children and said "Daddy, this is a lovely thing.  This should be made into a film shouldn't it?"  Lionel immediately read the book, agreed with Martha and started writing a screenplay, which was ultimately accepted by EMI Film Productions.  It was decided that the picture should be shot almost entirely on location.  Because the beginning of the story involved a comparatively short sequence in the family's London house, an empty house in Hampstead, London was decorated and furnished in the Victorian style and the cameras were set up there.

The chief action in the story takes place in the little cottage 'Three Chimneys' and by the railway.  Producer Robert Lynn surveyed many places and was able to secure the stretch of line privately operated by the Keighley and Worth Valley Railway, which runs from Keighley to Oxenhope.  This line, together with the special steam engines and rolling stock of the period, was extensively used in the making of the picture.  To obtain the right railway sounds, Robert Lynn hired the services of a great enthusiast, Peter Handford, as Yorkshire location sound mixer.  Actual filming on the railway was particularly tricky because of the necessary re-takes.  A railway engine and train cannot be turned around like an actor.  It needs a turn-table to effect this.  So the shooting schedule for this part of the film was finely detailed by production manager David Griffith.

Another important sequence in the picture concerns a landslide on to the railway track.  Immense trouble was taken to make sure that this should be absolutely realistic.  A big branch across the rails would not be good enough - it was determined that there should be a real landslide and special engineers were hired to ensure this.

Much of the incomparable Bronte country of the West Riding of Yorkshire appears in all its splendour in the film and one sequence was shot in the Vicarage at Howarth where the Bronte sisters wrote their memorable prose.  In every respect, perfection was the aim in each department of the making of The Railway Children, a delightful film that would offend no one and please many millions.  This double album will delight both adults and children alike.

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