An original play charting the intertwined lives of Ada Byron,
Countess Lovelace and Charles Babbage. Separated by age, by class, by
health and by fortune, they are the often unrecognised ancestors of
today's computer-driven world.
The full text of The Power of Two is available on request.
Please note that this text is copyright and ask permission before using
it. Thanks.
Requests to perform The Power of Two should, in the first case,
be directed to me.
(CHARLES and ADA poring over the work, glasses of brandy in their hands,
both a little tipsy.)
-
CHARLES
- Add a Preface. Please.
- Something that shows how foolish our Government have
been, Lady Lovelace.
- Something that can persuade them to fund me again.
-
ADA
- No. Babbage, I will not permit you to use my work for political
ends - this must be
- pure science.
-
CHARLES
- Ah, when you have lived as long as I have, you will know that
science is never pure...
-
ADA
- In any case. William and I can pay for your Engines.
-
CHARLES
- No. I will not see anyone else beggar themselves but the
Government.
- Least of all my good friends.
- The costs will be as great as the rewards.
-
ADA
- We shall build your Engines for you, my dearest Babbage. One way
or another.
- And the world shall be ours. To the Engines!
-
CHARLES
- To the Engines!
-
ADA
- Sssh! William is asleep. He has to be out early to supervise
another building.
-
CHARLES
- He is a good architect, your husband. He has talent.
-
ADA
- He has.
-
CHARLES
- But I wish he would use it in Parliament, where it is needed.
- (He drinks)
- Man is but an Engine, you know. As complex as his Maker,
but an Engine nonetheless.
- Open up a skull, and what do you find? Fifty ounces of
human porridge.
-
ADA
- Engine soup.
-
CHARLES
- One day, we shall decipher its alphabet.
- (They laugh)
-
ADA
- One day, you will be Prime Minister, and I shall be Minister of
Engines.
- The world will be British and we shall have a giant
Engine to rule over it all.
-
CHARLES
- Engines will harmonise the needs of industry, predict the
weather for farmers...
- No one will need to work...
-
ADA
- Infinite leisure. Engines will write music and sing and paint the
patterns of
- God's imaginings.....
-
CHARLES
- They will drive steam-driven ships safely to the four corners
of the earth -
- and solve the mysteries of creation.
-
ADA
- Engine-powered ships will sail across the sky, defying Gravity
and soaring to the stars...
-
CHARLES
- We shall walk on the moon, and the bottom of the sea. Oh, I
would give up the rest of
- my days on earth for just one day five centuries hence
and a guide to show me what
- wonders we have wrought. Would that not be fine!
-
ADA
- Fine. Oh, my Mephistopheles. Strike me that bargain.
-
CHARLES
- Hah! No, dear lady. Call not upon the Devil. We do God's work.
-
ADA
- (Toasting him) God's work!
-
CHARLES
- I'm tired. I shall go up. I must be back in London tomorrow.
- Send me the rest of loop program in Note D and I shall
check it for you.
-
ADA No changes. No politics.
-
CHARLES And no mistakes. Good night, my Enchantress of Numbers.
-
ADA Good night, Inventor of Worlds. Sleep well. Here.
(ADA fills his glass for him. CHARLES goes. ADA stares hard into space
and begins to dream.
Behind her, a WOMAN in jeans and a modern laboratory overall steps down
to behind her shoulder.
Strange music SFX under.)
-
WOMAN
- Canonical discriminant analysis reduces the dimensionality of
the vector representation,
- while retaining the influence of cluster memberships. New
canonical discriminant functions
- are obtained as linear combinations of the original AIS
variables, chosen to reflect cluster
- membership as much as possible. That is: Zi = Ai1 plus
Ai2 plus a13 and so on - in order to
- maximise the F-ratio for a one-way variance analysis.
(ADA touches her head, the WOMAN walks away and the SFX fades.
LX: Lights down - music transition into the next section.)
- ( END OF SCENE 14)
(ADA at the desk. She has a large glass of brandy, and is slightly
drunk. KING enters,
carrying more papers, very carefully.)
-
KING
- There. I have inked in the drawings beautifully. How is
your stomach?
(He gives it her.)
-
ADA
- Confound the man! Why does he insist on changing my words!
-
KING
- What seems to be the problem now?
-
ADA
- He's a muddlehead - he's has mixed up Note G and Note F and
changed the examples
- from one to tother.
-
KING
- Well, they are his machines.
-
ADA
- And they are my Notes.
(Pause. KING starts playing chess against himself. A servant
brings in a newspaper.)
-
ADA
- I have been working like the very devil.
-
KING
- Mmm.
-
ADA
- Well?
-
KING
- Well, what? (Suddenly) Oh. That is delightful! Wonderful!
-
ADA
- What is?
-
KING
- Read for yourself!
-
ADA
- But that is barely a mile away! I cannot have her so close.
- Next she will be wanting rooms here! I will have to talk
to her. I cannot.
- You talk to her. She listens to you.
-
KING
- I talk to her? She is your mother.
-
ADA
- But I cannot have her here. She will take over everything, tell
me how to
- raise the children, how to organise the household, everything.
- I must have peace to complete my Notes.
-
KING She wants to help, Ada. She wants to be near her grandchildren.
(ADA bangs the table, papers fly.)
-
ADA
- Why can he not place things in order - he is so disorganized!
-
KING
- And you are not.
-
ADA
- Because of him.
-
KING
- Will you be careful, woman! I spent hours inking this for
you - it is not yet dry!
- Good Lord, I am amazed you can find anything in this jumble.
-
ADA
- How does he expect us to get anywhere if he keeps changing his
mind -
- ideas pour out of him like water...
-
KING
- Are you the Inventor?
-
ADA
- No. I am the Interpreter. And I am interpreting the information
that will, that WILL
- change the course of the world. Who can foresee the
consequences of his
- invention - only I! You have no idea what energy, what
genius lies beneath this
- little frame of mine. If I choose, I can do anything.
Instead I sift through a patchwork
- of Babble. I will not have my words tampered with!
-
KING
- When I talk with a foreman at the works for one of my
buildings, ideas are
- constantly changed, constantly written afresh....
-
ADA
- (Not listening) My head will explode! My head will explode!
-
KING
- Then get into your head that you are nothing but a
glorified secretary.
- Maybe that will deflate it!
-
ADA
- (Staggered and hurt) I am not a Secretary. I am his
Enchantress of Numbers! I am!
- Get out of my sight.
-
KING
- With pleasure. Perhaps your mother will help you ink the
rest of your damned drawings.
-
ADA
- Get out!
- ( END OF SCENE 14)
The company numbered around 22 and doubled the following character list
Mr. Percy Shelley
Mrs. Mary Shelley
Clare Claremont
Dr. Polidori
Ada Byron - as a Child, in her Teens and as Lady King, Countess of
Lovelace
Charles Babbage - as a Child, a Mathematician and Philosopher and as an
Old Man
Mr. Thomas Hardacre - a Music Tutor to Ada in her Youth
Therese - A Maid
Merlin - an Inventor of Machines
His Assistant
Mrs. Elizabeth Babbage - the Mother of Mr. Babbage
Mr. John Herschel - Mathemetician & Friend to Mr. Babbage
Mrs. Georgiana Babbage - Wife to Mr. Babbage
Miss Anne Babbage - Sister to Mr. Babbage in her Youth
Richard Wright - a Journeyman and Servant to Mr. Babbage
Mr. Joseph Clement - a Master Engineer
Mr. Isambard Kingdom Brunel - an Inventor and Friend to Mr. Babbage
Lady Annabella Byron, Mother to Ada, Widow of Lord Byron
Lady Isabelle Morgan, a Woman of Society
Lord William King, Earl of Lovelace and Husband to Ada
Sir Robert Peel - Prime Minister
Mr. Lumley - Theatre Manager
Mrs. Sophie De Morgan, Friend to Lady Byron and Wife of the
Mathemetician, Augustus De Morgan
Mr. John Crosse, A Gambler and Libertine
Annabella King - Ada's Daughter
Mr. Guiseppe Dolce - an Organ Grinder
Young John - a Street Musician's Son
Major-General Sir Henry Babbage, Son to Mr. Babbage
Mrs. Minnie Babbage, Daughter-in-law to Mr. Babbage
Mrs. Anne Hollier, Sister to Mr. Babbage in her Old Age
Running time: Approximately 2 hours 30 minutes with interval.
Charles Babbage was an extraordinary polymath and inventor, but chief
amongst his works must be the Difference Engine. Though never fully built
in his lifetime, it became the model for the Hollerith mechanical
calculators - later to become IBM. Babbage further developed the
Difference Engine as a general-purpose, programmeable machine - the
Analytical Engine, and so must be credited as the inventor of the first
computer, just as Ada's Notes clearly single her out as the world's first
programmer - for which she has had a computer language named after her.
Ada, the "Queen of Engines" also features in William Gibson and Bruce
Sterling's steam-punk novel "The Difference Engine".
Material for the play was "workshopped" and devised with the cast, the
1992 Second Year of the Acting Course at Guildford School of Drama, one
of the best English regional drama schools. Original music for the show
was written and performed by Simon Ashmore.
The play was dedicated to the memory of another polymath, my father, who
died in February 20th, 1992.
The full text of The Power of Two is available on request.
Please note that this text is copyright and ask permission before using
it. Thanks.
Requests to perform The Power of Two should, in the first case,
be directed to me.
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