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• Tubular pneumatic key and stop action.
• Five pistons for each manual (+ duplicating composition pedals for Sw & Gt),
• adjustable on pneumatic setter racks.
• Reversing kick pedal for Gt/Ped.
• Compass: manuals 61 notes, pedals 30 notes. 

REGISTRATIONS USED IN THE RECORDING

 The Great 4ft Octave (1935) is not used at all. Open Diapason no.1 requires discretion; here it is only used in the Lemare transcription. Pedals almost always have to be coupled to manuals; this is not mentioned below, except for one or two special places.

 Guy Weitz

(lento)  Gt full to 2’ + Sw full flues with rds 16 8 4

Ped full flues, rds 16 8  

Gt + Mixt

Gt + Tr

(allegro)  Gt reduced to OD2 OD3 Pr4   Ped – rds

crescendo to Ch Tuba solo

diminuendo to Sw 8 4 2    Gt OD3 Wfl8 Hfl4   Ped OD16 Bd16 Gam16 Fl8 + Sw

then Ch Gam8 Lieb8 Hfl4 + Sw OD8 StD8 Pr4

dim to Sw OD8 StD8   Gt (LH) OD2 OD3

cresc to Sw full with rds 16 8 4   Ped full flues 32 16 8

cresc to Gt full to Mixt   Ped full with rds 32 16 8

at end Gt + Tr

Wagner

Start  Sw OD8 StD8 VCel8    Ped BD16

RH solo Ch Gam8 Hfl4 Trem + Sw

then both hands Ch   Ped + Gam16 Fl8

then Sw + Hb8   Ped + OD16  RH solo Gt OD2 Wfl8 + Sw

then both hands Gt   Sw + OctHb4

then RH solo Ch Clar8 Hfl4   Sw OD8   Ped Bd16

then both hands Sw

then! Gt OD16 (note held down by small lead weight until the end)

Sw StD 8 Gam8, reducing to Gam8 alone

then both hands Ch Dul8 VoxA8   Ped no stops cpld to Sw Gam8

 then RH solo on Sw.   At end Sw StD8 only.

 Bach

 No manual couplers are used until the final section in D minor.

No reeds are used, except Ped Fag16 for a few bars.

Pedal is mostly Bd16 Fl8 (p) + Gam16 (mf) + OD16 (f) + cplers as necessary.

Bar 1   Sw StD8 Pr4 Mixt

b5   Gt OD2 OD3 Pr4 15th Mixt

b9   Sw StD8 Pr4

b17  Gt OD3 Hfl4

b25  RH Ch Lieb8 Hfl4    LH Sw StD8

b33  RH Sw Lieb16 StD8 (octave up)    LH Ch Hfl4 SubOct

b41  Gt Wfl8 Hfl4

b49  RH Sw StD8 15th   LH Ch

b57  Gt OD3 Wfl8 Pr4

b65  Gt + 15th

b69  Gt + Mixt

b77  Ch Lieb8 Pic2

b81  Sw Lieb16 StD8  D12th (octave up)

b85  Ch

b89  Sw Std8 Fl4 15th

b121  Gt OD2 OD3 Pr4 15th

b125  Gt +12th & Mixt

b133 (D major)  Sw StD8 Trem

b149  Ch Lieb8

b161  Sw StD8  D12th

b169  Gt OD3 Wfl8 Pr4

b177  Gt + OD16 F2 12th Mixt    Ped + Fag16

b185  Gt OD3 alone   Ped Fl8 +Gt

b192  Ped + Bd16 Gam16

b200  Ch Hfl4 + SubOct

b208  Gt OD3 Wfl8 Pr4 + Sw StD8 Pr4

b216  Sw + 15th Mixt

b224  Gt + 15th

b228  Rh Sw   LH Gt + OD2

b240  both hands Gt + 12th & Mixt

b244  Gt + OD16

b248  + Sw Octave   Ped + OMet16 Fag16

Tournemire

Start   both hands Sw OD8 StD8 Gam8 VCel8. All manual cplers.

thumbs & other spare fingers: Gt OD3 Wfl with Ch Lieb8 Gam8 Dul8 VoxA8

Ped  OD16 Gam16 Bd16 Fl8 + Sw 

then Sw – OD  Gt – OD  Ped – OD

then RH Gt  LH Ch   Sw + OD  Gt + OD  Ped + OD

then + Ch SubOct

then dim to end   Sw StD8  Ch Lieb8 Dul8

Cochereau

Start  Ped SB32 OD16 Gam16 Bd16 Fl8 uncoupled     Gt Wfl8 + Ch Lieb8

Bar17  RH  Sw Lieb16 StD8 D12th (octave up)

b23  both hands Gt,  Ch + Gam8 Dul8

b36  both hands Sw  Lieb16 StD8 Gam8 VCel8 Hb8 OctHb4 Trem

b44  Sw  Lieb16 OD8 StD8   + Sw to Ped

b53  RH Ch Clar8 OrchOb8  Ch Oct  Ch SubOct (uncoupled)

b63  both hands Ch  + Hfl4 Pic2 

b70  both hands Sw Lieb16 OD8 StD8 Pr4    Ped + DblOD32

b78  RH Gt full to Mixt, uncoupled

b84  both hands Gt  + Sw 15th & Mixt  + Sw to Gt  + Gt to Ped

b92  Gt + OD16   Sw + HB8 OctHb4  + Sw Oct

b100  Sw + Fag16    Ped + OMet16

b118  + Ch to Gt    Ped + rds 32 16 8

b123  + Sw Cl4

b139  + Gt Tr

b157  - all reeds     dim to

b174  both hands Sw, as before, b36

b186  Sw StD8 Gam8 VCel8   RH Ch OrchOb8 Lieb8 Hfl4

b205  RH Gt OD16 Wfl8 Hfl4 (octave up)

b220  Ch Dul8 VoxA8 Ch SubOct     Ped SB32 Bd16 Fl8 uncoupled

b237  RH Sw Fl4 solo

b257  Sw as at beginning, b17

Beethoven

Sw StD8 throughout   Ped Fl8

RH   Ch Lieb8   then Hfl4 Trem (octave down)  then Hfl4 with SubOct (loco)

then Hfl4 with SubOct, UnisonOff & Trem

Humperdinck

(The Sw 4’ wood Flute is a copy of Lemare’s identical stop at Westminster)

Start  Ch Dul8 Pic2    Sw Fl4 (octave down)

then tune on Sw Fl4, played on Ped     Ch Lieb8 Hfl4

then LH Sw StD8 Fl4   RH Ch Lieb8 Hfl4 + Sw, and Gt Wfl8 solo   Ped Bd16 + Sw

then Gt Hfl4 solo 

Evening Prayer:  RH Ch Dul8 VoxA8  Ch Oct     LH StD8 Gam8 VCel8

then LH Sw   RH Gt Hfl4 solo and Ch OrchOb8 Lieb8

then Sw Gam8 VCel8    Ch Gam8 solo 

then RH Sw  StD8 Gam8 VCel8    LH Gt Wfl8 + Sw

then RH Sw + OD8 & Fl4

LH Gt OD2 Wfl8  then Ch Lieb8 Gam8 Hfl4 + Sw

then RH Sw + Hb8   LH Ch + Clar8 & Pic2

then Sw + full flues with rds16 8   Gt OD16 OD1 OD2

cresc to Sw full with rds 16 8 4   Gt OD16 OD1 OD2 Pr4 Tr8   Ped full flues with rds 16 8

then Gt – Tr8 & Pr4     Ped – rds

cresc to Gt full   Ped + rds 16 8

dim to both hands on full Sw,  then LH Gt OD16 OD1 OD2   Ped – rds

cresc to Gt full   Ped + rds 16 8

dim to end, finally LH Sw StD8   RH Ch Hfl4 (octave down)

Jongen

Prelude: Sw StD8      Ped Fl8 + Ch Lieb8 Gam8

last chord:  Sw + Gam8 VCel8    Ped + Bd16

Fugue:  Gt OD3 Wfl8 Pr4 + Sw OD8 Pr4   Ped OD16 Gam16 Bd16 Fl8 Gt to Ped

cresc to full Gt Sw and Ped

Alain

Ch Hfl4 Ch SubOct   Gt OD16(!) (octave up)    Sw StD8 D12th      Ped Bd16 Fl8