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Contributors in
this
issue:
- Jan Oskar Hansen
Jean Harvey
Dr. Charles Frederickson
Joseph Reich
Adam Leverton
Rahul Chandra Das Gupta
Joseph Demarco
Pete Watson
Richard
Vallance
John Pool
Vincent Berquez
Ggarrett
Matt Duggan
Paul Curtis
Michael A. Schaffner
Elise
Dolores Guglielmo
Vivienne Romilly-Weightman
Colin Ian Jeffery
Ray Succre
David R. Morgan
Brian Blackwell
Caroline Tuten
Alexander Williamson
Marie Marshal
Michael Johnson
Paul Murphy
Paul Tristram
Austin McCarron
Christopher Twose
Henry Blake
Sharon Booth
Andrew Smith
Mike Gwynne
Tembong Denis Fonge
John Younger
Martin Messent
Zekria Ibrahimi
Clinton John Frakes
Sherry Lochan
Raven Drake
Geoff Roberts
Bob Campbell
Jo Hemmant
Harris Maguire
Michael Molyneux
Phil Knight
Eunice Ogunkoya
Dave Migman
James McInerney
N. G. Charnley
Roland Bastien
Sally Sunflower Lundberg
Leslie McMurtry
Christine Swint
June Nandy
Rob Cole
Siva Monsieur
Chris Roe
Maria Betts
Matt Roberts
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Latest
Decanto Issue.
Welcome to the June
issue of Decanto! Thank you all for taking the
time to send us your poems - I have enjoyed reading through them. We
would like to say thank you to all the contributors listed on the left,
and some of them have extracts of their work displayed on this page.
Click on a name in italics, and you will see an example of their work.
In this issue, Richard
Vallance
takes the spotlight
in this edition's "Centre Stage Poet" section, where he shares his
thoughts on poetry old & new. Thank you Richard.
Richard’s work has been included in Autumn Leaves (USA)
& Poetry Life and Times (UK); and print journals like The
Deronda Review (USA), The Eclectic Muse, and, as many of you will know
has been regularly included in Decanto.
The current issue
of
Decanto is available for £3.99 inc p&p. Please refer
to the Contact
Us
page for details of how to order, or order below using PayPal.
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For
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not, we will send the current issue.
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Carmen
Luminis Deo
Were they Your
songs, the sonnets we compose?
When angels hymn your praise, what dove descends
in spiritu on us, ’til we repose
in poetry no nightingale transcends?
Can our communion, Lord, with you compare
Eternity in prophecies of death
we poets through our mortal verse declare
to be Your Will until our dying breath?
If Homer soothed once proud Achilles’ heart,
if Dante’s Paradiso raised the dead,
perhaps our fairest sonnets may impart
a sense of Grace through every phrase they thread.
Carmen luminis Deo*, allay our sins,
and lightly play, attuned to violins
*The Song of Light to God
© Richard Vallance
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Summer In The City
Under
lush Maple
Straightback chair
Pushed close to its
Generous shade -
Closing her eyes
To the soft breeze lull -
A terrier its black
Fur reeking with axel
Grease under an old Chevy
On cinderblocks -
Galvanized clotheslines
Twanging in the warm breeze -
Marionettes in lethargic dance
On line -
The dog moved deeper
Under his motor retreat. . .
Sun hanging low -
Old popsticks
Oil slicks
In the asphalt street. . .
Yucca leaning heavily
Surrounding the cyclone fence-
Waxy white bells scattering
confetti in the wedded heat -
The old woman startled
In sleep -
Drifting back into slumber. . .
The small dog
Retreating into the cool
Tomb of the cellar behind
The chalet house -
Its red gingerbread lattice
Straining -
Chunks ready to crash into
The garden’s explosion -
As the sun drips molten
Over a searing Earth. . .
© Dolores Guglielmo
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Altai
When you speak,
I hear kargyraa,
or the soft bowing
of a single string
with which
a thousand others sound,
struck into vibration
as if, at a thought,
Aeolus
breathed upon them.
When you whisper,
it is the steppe-grass
bending,
obedient to the wind.
When you kiss me,
your lips are buzzing;
the music moves
from your mouth
to mine
© Marie Marshal
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When The Party Begins
I forgot to think about you today:
intrusion from malicious nostalgia
failed to dissect meat from the bone.
I swam in a tide of mundanity
without hoping for memory’s current
to bring me back to familiar shores.
My comeback now hides in exhausted smiles
unwilling to rescue you from the past.
Once, you threw sand in the eyes of my dreams,
blinding with dependence, an oasis
that had always been more than a mirage.
But sound the alarm in the form of sighs;
for I have escaped the moping coward
who drained the desire to recreate fire.
Music once taunting of days filled with loss
now celebrates warmth in embers of hope.
© Mike Gwynne
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