|
12th August
|
|
The
orchestra opened with a good overture and then the tabs were lifted to reveal a
square in Venice - backing onto the main canal with a bar at the right hand
side. The
Contadine were busying themselves making up posies in the traditional manner -
however I found it difficult to date the setting - I could not make out the
styles of the dresses - could it be set in the 50's? If so why? There
was good movement about the stage. The
men came on - Antonio was very good - full of life and with a good singing
voice. Again the costumes of the
men were difficult to place. Marco
and Giuseppe's entrance increased the pace of the performance - Marco had a
clear voice but was rather quiet and looked very nervous - on the other hand
Giuseppe was full of confidence and had a good baritone voice with clear
diction. They had great fun with
the selection of wives - pretending to be blindfolded and then doing a
"pat-a-cake" routine. The
girls eventually realised and put buckets on their heads! I
liked how Gianetta and Tessa were prevented from reaching their goal - first by
the men and then by the women - eventually they fought their way through and
were "selected" by the gondoliers. The
arrival of the Duke and his party still did little to clear up the date.
The Duke looked like a movie "god-father" and Luiz was in what
appeared to be a chauffeur's uniform. For
some reason they were using "Eastender's" type accents - in a grandee
of Spain? The Duke was grumbling
that no welcome had been arranged for him.
Instead of a drum Luiz played on a "Stylophone" - did this set
the era to the 1970's? Casilda
was told that she had been married as a baby to the son of the King of Barataria
and that they had all come to meet him. A good "In enterprise of martial
kind" from the Duke. After the
Duke and Duchess left Luiz and Casilda expressed their love for each other.
The both had good voices although Luiz, in later sections seemed to have
some difficulty with the parts he was singing. Don
Alhambra came on - he looked like Oliver Hardy. However he had a good stage presence and a fine deep bass
voice with good diction. He sand a
good rendition of "I stole the prince..."
I do wish he did not have the golf clubs and trolley or play about with
the club and golf ball - totally unnecessary. The
wedding party return - Tessa sang "When a merry maiden marries"
She had a good voice and excellent diction.
Gianetta tried to persuade Don Alhambra to let the women go with the men
- she had a sweet sounding voice but I found that I could not distinguish the
words in her song "Kind Sir" The
quartet "Then one of us will be a queen" was well sung. All
the men agree to go with them and the act closes as they sail off into the sun. Act
two opens in the pavilion of the court of Barataria. The men are all dressed in gangster type, colourful suits.
Marco and Giuseppe are rushing around looking after their needs-
I did not like the drunk gondolier - he grew more and more annoying as
the act progressed. Giuseppe sang a
good "Rising early in the morning"
but Marco's "Take a pair of sparkling eyes" showed his lack of
confidence. The girls return and a
good "Dance a cachucha" was sung by all. Don.
Alhambra returned - still with his annoying golf trolley and in a golfing
jumper. He sang a good "There
lived a King" The
Duke's party returned - a little more up-market in attire now.
A good rendition of "On the day that I was married" by the
Duchess. followed by a sound duet "Small titles and orders". The
whole cast came back and Inez is brought forward - she determines that Luiz is
the King.
The chorus
Sorry Luiz - missed you!
This
production was only average - I felt that too many unnecessary changes had been
put into it - most added nothing to the original. The costumes were quite dismal.
Although much effort had been put into the lighting, too often the action
was not going on in the brightest of light - this was not helped by the two spot
lights which were often in the incorrect position. A
certain lack of confidence was exhibited by several of the cast - there was a
great deal of looking at the MD for cues.
|