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Aug 15th 05
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Princess Ida Trent Opera This was the production we had been waiting for since the final programme was first released - the return of our favourite soprano - Deborah Norman in the title role of Princess Ida. Added to this we would also have Nick Sales along side her as Hilarion - what a combination!
The overture was
played at a very slow pace this evening which set the trend for the whole opera.
When the tabs were lifted a very different set was exposed. Instead
of the usual opulence of Hildebrand's castle we had a two layer stark white set
consisting of a hexagonal raised section in centre stage with a platform leading
to a raised section along the back of the stage. There were two slightly
raised podiums - one at each side - similar in shape to a chaise-long.
There were blue leaf like motifs painted on each section. By the costumes the
setting seemed to be some where in the region of Turkey to North Africa. The courtiers were
all looking out in anticipation of the arrival of King Gamma, Princess Ida
and their party. They are dressed in very high quality looking costumes
but they are all pastel shades - I did miss the dramatic colour which we usually
have. However, this was compensated for by the costume of King Hildebrand
which was magnificent! How well all the
courtiers reacted as they looked about, and how well they sang. Florian sang and
excellent solo. Hildebrand explained that Gamma should be bringing
his daughter to Hilarion whom she had married during infancy. As Florian
looks out he has great fun describing Gamma and his sons - and possibly Ida as
she is a "strange girl". As the song finishes we have a sudden blackout - for quite a few seconds - this tended to break the atmosphere. As the lights came up again curtains had been drawn in onto each side of the central podium and a red light was shone onto them - this was designed to represent Hilarion's room. He sang a wonderful Recitative and ballad, "Ida was a twelve month old". A superb actor with a magnificent tenor voice which soared out. I felt the claustrophobic nature of the set spoilt the overall effect. Hildebrand joined
him and they had good fun as they discussed the last time they had seen Ida.
The lights went out again and then the whole stage was in use again as the
courtiers re-entered to welcome Gamma and his party. The three sons of
Gamma entered first - they were dressed on Mogul like costumes with large
sheepskin waistcoats. They were very tough looking characters but a little
simple! A good rendition of "We are warriors three". Gamma entered - he
was wonderfully twisted with a nature to match. He sang an excellent
"If you give me your attention", and in doing so put the backs up all present
on stage. This was exacerbated as he went into the dialogue, hurling
insults at everyone. Gamma sang a good
rendition of "Perhaps if you address the lady" but despite that he and
his sons were taken under arrest. Hilarion,
Florian and Cyril decided that rather than storm Castle Adamant they would try
to win the Princess round with love! The sang a wonderful trio
"Expressive glances" Three magnificent voices blended in perfect
harmony. Guron , Arac and Scynthius - Jonathan Godfrey, Stephen Godward and Nathan Smith. The three brothers
returned - bound together with rope - they sang "For a month to dwell"
and the first act came to a close as the chorus sang "For the rum-tum-tum". Act two opened with
a very similar set - slight movement of the back of the rear raised section to
form more castle battlements and the two platforms had been rotated. How I
missed the Castle scene! The Princess Ida
entered from the back of the stage on the raised section. That first
"Minerva" sent a tingle up my spine - what a voice and what confidence
and projection. A wonderful aria "Oh, goddess wise" lead into the
best 'lecture' - Women of Adamant I have ever heard - superb understanding of
the words by this actress made them understandable to us! Hilarion finds a
note book and they then mock what the ladies are trying to do with "They
intend to send a wire to the moon". They then find the spare robes
and dress up in them - with much mischief. They prance around as they sing
"I am a maiden". All exit except
Melissa who is called back by her mother, Lady Blanche. The latter has
heard the singing and is not convinced that they are ladies - especially as two
are tenors and one a baritone! Melissa admits that they are men but
suggests that if Hilarion takes Ida away as his wife then she, Blanche, will be
in charge of the university. They resolve to keep the secret as they sing
a wonderful rendition of one of my favourite G&S numbers "Sing, Hoity,
Toity". It is time for lunch
and all gather bringing in lots of food - except that Blanche is on a diet - how
well she gets attention with her stick of celery! Cyril gets drunk and
shocks everyone with his "Kissing" song. Ida realises that they
are men when Cyril calls Hilarion by name. She rushes off but falls into
the stream - Hilarion rushes off to rescue her, great fun is had as Blanche's
reactions change as Ida's situation varies between being saved and drowning. Cyril and Lady Psyche - Mark Pollard and Joy Nichol They return to the
stage all wet but Ida is still fuming and places them under arrest, despite Hilarion's
pleading in "Whom thou hast chained". Act three opens with
the girls divided into two sections - those on the podium are having stirring
music lessons whilst below others are practicing using their axes on cushions
held by others - in a most violent manner! Melissa sings the lead in an excellent stirring and then
pathetic "Death to the invader" Hilarion, Melissa and Florian - Nick Sales, Katrina McWilliams and Simon Theobald Ida comes on to
review her troops but is disappointed by them all - she takes on all the roles
and dismisses the girls. She is disappointed with them all and sings a
woderful "I built upon a rock" in which she bemoans how she has been
let down.
Princess Ida and
Hilarion - Deborah Norman and Nick Sales. Gamma returns, he
has been let out to tell Ida that Hildebrand does not want to fight women and
that he will allow her three brothers to fight for her instead. Gama
explains how he has been tortured whilst with Hildebrand by everyone being kind
to him and him not having anything to grumble at! "When'er I spoke" Lady Psyche and Princess Ida - Joy Nichol and Deborah Norman
A very good production. The singing at all times was excellent - all principals were strong and clear. The attention to detail was tremendous and the concentration of the actors was to be commended. I am still in two minds as to the inclusion of professionals - as an audience we want the best production possible but is it fair to have two professionals in leading roles when the "competition" is for amateur groups? The consummate skill of the professionals will raise the whole performance - is this fair? It is an argument which will go on and on. As far as I am concerned -let's have the professionals and forget about the competition! Let's just have three weeks of the very best G&S available in the world here at Buxton for us to enjoy!
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