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Aug 16th 05
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The Pirates of Penzance
First
I must give credit to the perseverance of members of this company, many of whom
only arrived in Buxton at 10 pm last night after surviving the strike at British
Airways. Some were travelling for
over 40 hours to get here. On reading the programme for tonight's production we were lead to expect something different to the norm from this production and we certainly were not mistaken! The overture struck up and then shortly afterwards the tabs were lifted to show the front of the stage with a backcloth just behind - curtains had been drawn from each side to about a third of the front just leaving a gap of one third in the centre which was floodlit. Two young ladies, dressed as flappers, came on with boards containing names of each individual character and the actor playing the part was present - the boards were flicked round to indicate the actor's name. Good fun but I feel that this would have been better at the end as a "curtain call". The laughter tended to drown out the overture. The
tabs were eventually lifted as the men's chorus sang "Pour, Oh Pour.."
What a colourful crew they were - all dressed in excellent costumes and
what fun they were having as they celebrated Frederic's birthday.
Samuel sang the solo parts and he had a fine voice. They
had good fun at Frederic and Ruth's expense as she explained how she had made a
mistake and apprenticed him to a Pirate instead of a Pilot.
Ruth was a good actress with a fine clear voice.
The Pirate King was really over the top - he was very camp and minced
about the stage in a very domineering manner.
At first I did not like this approach but as the production went on he
became less camp and I enjoyed his performance more.
Having said that he was a fine actor - very confident with an excellent
singing voice and wonderful diction.
In
the usual solo for Ruth the first verse was sung by Frederic "When I was
but a little lad" and then Ruth sang the others. A
good rendition of "Oh, better far to live and die" by the Pirate King
with much prancing about by the pirates. Ruth
had just about won over Frederic when he heard the voices of young girls - it
showed how naive he was he though it was seagulls at first!
He spurns Ruth when he spots the girls - good interaction as they sing
"Oh! False one". The
girls enter - they are a mixture of 1920's Flappers, bright young things, more
elderly daughters and servants - so many of them! A excellent "Climbing over rocky mountains" with
wonderful choreography and movement. All
kept up the 1920's style of movement and posturing.
Edith and Kate sang good solos along with Frederick as he tries to warn
them that he is there and they should not start to remove their clothing.
Frederic
tries to get any of the girls to marry him but they will have none of it until
Mabel enters. She has an excellent
voice and is full of fun. A very
confident actress and she holds the stage as she delivers her song "Poor
Wand'ring one". Very clever
work as the girls all pretend to ignore Frederic and Mabel, who pop into a beach
hut, as they sing "How beautifully blue the sky".
However,
Frederic realises that the girls will be in danger from the returning pirates if
they do not go but - too late - the pirates return and gleefully capture the
girls - who resist - but not too much. Mabel
warns off the pirates by telling them that father is a Major General.
This makes the pirates more wary and then as they all follow something in
the sky we see a huge balloon come down at the rear of the stage, from which
emerges the Major General. He is dressed in shorts with a pith helmet and is accompanied
by his servant and his young son - also dressed as a major general.
The Major General is a fine actor with a good voice.
He sings an updated Major
General's song - it was a good job the words of this were handed out to the
audience or we never would have followed them -a good laugh from the audience as
he mentions British Airways - however, there was no need for the swear word -
Gilbert would certainly not have approved that!
He
has great fun with the Pirate King as they discuss uniforms and then have the
usual confusion over the Orphan Often ! For
act two the set has changed from a very rocky shoreline to the ruined chapel.
The Major General is sad about having told a lie to the Pirates.
He is consoled by his daughters and Frederic
and then the police are summoned. What
a motley crew of Keystone Cops they are! They
are well drilled and carry out some complex movements quite skillfully.
The Sergeant is particularly delightfully over the top!
They all have good fun as they sing "When the foeman bears his
steel" Lots of falling about and fright as the girls tell them that
they may be off to their death and glory! Frederic
is told by Ruth and the Pirate King that due to having been born on the 29th of
February he is in reality only five and a bit if counted by actual birth"DAYS"
- he is shocked to find that they expect him to remain a pirate until the
1980s! They have great fun during this section. More
fun now with the return of the Policemen but they rush to hide as the Pirates
are heard - these enter with great authority and noise singing "With
cat-like tread". When the
pirates hear the Major General coming they also hide!
He sings "Sighing softly".
The
girls return to see what father is doing - they are all now in night attire as
well. The Pirates rush on and capture
him, the police are summoned and then follows one of the longest fights I have
ever seen - lots of action and reaction going on here - eventually the pirates
are victorious. But the Sergeant
has an ace up his sleeve and demands that the pirates yield in "Good King
George's name" - which of course they do.
As
usual Ruth comes on and explains all and all ends happily with a very lively
finale.
After
the curtain call the cast sang a wonderful and moving rendition of a traditional
South African prayer.
A
good production which grew on me as the evening progressed.
The costumes were super (except I missed the full Major General's
uniform). Lighting was good except
for the odd times - especially which the lights came up too early, a few seconds
before Mabel's first entrance. The choreography was first class. The change of period was well maintained and did work,
keeping us in the "flapper" period at all times. A bright and colourful production which moved along with real
pace. Most of the
additions/modifications worked.
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