Films of Robin Hood
At first Douglas Fairbanks Senior didn't want to play 'a flat-footed Englishman walking through the woods' but was persuaded by public demand. As one of the co-owners of United Artists Pictures (the other owners were his wife Mary Pickford, film director D.W.Griffith and Charlie Chaplin ) Fairbanks produced the picture himself and with a budget of almost 1½ million dollars it was the most expensive film produced to date. The sets were the most lavish ever built and a medieval castle was created incorporating a 450-foot banqueting hall - Fairbanks strived for perfect detail. In addition to his daring stunt work (sliding down a drapery, engaging in archery and swordsmanship, and other acrobatic feats), Fairbanks wrote the screenplay (with pseudonym Elton Thomas) for the fast moving, epic silent film filled with medieval pageantry. The film opens with a jousting tournament - the first half half of the film was taken up with chivalry and romance - in which Robin as the Earl of Huntingdon, played by Fairbanks with grace and gymnastic prowess, takes part and falls for Maid Marian. The knights depart on crusade while Prince John, played by Sam de Grasse, begins a reign of tyranny. Marian sends word to Huntingdon via his squire Little John, played by Alan Hale (he re-created the role in the later 1938 and 1950 versions). Robin forms an outlaw band in Sherwood Forest, rescues Maid Marian with the help of a mysterious knight who turns out to be King Richard (Wallace Beery). The King pardons Robin and re-unites him with Marian. Whilst the film is filled with swordfights, jousts, larger-than-life stunts and Fairbanks' jaunty heroism, unfortunately the outlaws do appear to skip through the forest like Oberon's fairies in A Midsummer Night's Dream. Nevertheless this classic film eclipsed all before it and cannot be beat for its energy. |
Varying little from the usual story involving King Richard, Maid Marian, Prince John, Sir Guy of Gisbourne and the Sheriff of Nottingham, the film excelled in its swashbuckling action scenes while the film climaxes with a battle-to-the-finish swordfight highlighted by Curtiz's inventive use of shadows cast upon the castle walls. The 3-strip Technicolour, casting, costumes and clever dialogue make it an uplifting and exhilarating film. The film was nominated for four Academy Awards (Best Art Direction, Best Original Score, Best Film Editing, and Best Picture of the Year), and lost only its Best Picture recognition to Frank Capra's You Can't Take It With You. |
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For later films click Post 1960 Films