theatrefusion


CLOSER by Patrick Marber - September/October 2002


VENUES

Bedlam Theatre
11b Bristo Place, Edinburgh, EH1 1EZ
12-14 September @ 7.30pm
£8 / £5
Tel: 0131 225 9893

Paisley Arts Centre
New Street, Paisley
PA1 1EZ
17th September @ 7.30pm
£7 / £3.50
Tel: 0141 887 1010

Cumbernauld Theatre
Braehead Road
Kildrum
Cumbernauld
18 September @ 7.45pm
£8 / £5
Tel: 01236 732887

Carnegie Hall
East Port
Dunfermline
KY12 7JA
19 September @ 7.30pm
£7.50 / Fifestyle £6/5
Tel: 01383 314000

Motherwell Civic Theatre
Airbles Road
Motherwell
20 September @ 7.30pm
£8 / 6
Tel: 01698 267515

Howden Park Centre
Livingston
EH54 6AE
21 September @ 7.30pm
£8 / £5
Tel: 01506 433634

The Byre Theatre,
36 Abbey Street,
St Andrews
KY16 9LA
1 October @ 8pm
£8 / £6
Tel: 01334 475000

Falkirk Town Hall
Steeple Box Office,
High Street, Falkirk
3 October @ 7.30pm
£6 / £4
Tel: 01324 506850

Greenock Arts Guild
Campbell Street, Greenock, PA16 8AP
4 October @ 7.30pm
£8 / £6
Tel: 01475 723038

East Kilbride Arts Centre
Old Coach Road
East Kilbride
6 October @ 8.00pm
£6 / 4
Tel: 01355 26100

The Arches
253 Argyle St, Glasgow, G2 8DL
9-12 October
£7 / £5
Tel: 0901 022 0300
(calls cost 25p per minute)

 


CREDITS

Written by
Patrick Marber

Directed by
Peter Mackie Burns
 

CAST

Larry:  Mark Coleman

Alice:  Susan Worsfold

Anna:  Fiona Ormiston

Dan:  Marc Oliver

Production Manager
Abigail Gemmell

Assistant to Director
Thomas Gemmell

Design Consultant
Andrew Burt

Lighting Designer
Abigail McMillan

Photography
Alan Bryant

www.alanbryantphotography.com

ABOUT THE PLAY

"What's so great about the truth? The truth hurts people.  Try lying for a change. It's the currency of the world."

SCOTTISH PREMIERE

One of the most talked about plays of recent years.
An international hit in over 30 countries.

Set in the mid-90's CLOSER follows four characters through four years of emotional turmoil.

Obituary writer Dan and vulnerable young stripper Alice meet following a minor car accident and fall in love. Months later, Dan is drawn to photographer Anna as he gets his photo taken for the cover of his new book. Dermatologist Larry enters a relationship with Anna after a case of mistaken identity in an internet chat room. 

And that's just the beginning. Each character searches for some kind of intimacy to save them from their isolation, yet they never seem to get closer.

"Ever seen a human heart? It looks like a fist wrapped in blood."

 

 

BACKGROUND

Marber's clever use of language, and a very contemporary idiom that can shock provides an unflinchingly honest expose of modern relationships, and an icy commentary on the dangers of mistaking physical intimacy for emotional closeness.

CLOSER is a stunning look at contemporary love and betrayal with resonance for anyone that has loved, lost, cheated or been hurt.

"I had a choice and I chose to be selfish"

This powerful play examines difficult, painful and adult issues with honesty, integrity and humour, and due to it's graphic language, is recommended for adults only.

 

 

 

REVIEWS

The Herald : Scalpel-precise production from TheatreFusion, which would put many main stage efforts to shame... This is a major play in a very special, up-close and personal production... Make a date to see Closer immediately.

Scotland on Sunday : TheatreFusion’s accomplished new touring production... treads between the lightly comic and the deeply emotive...these first Scottish performances of Closer still present us with a fine insight into a play which excavates the humour, pleasure and tragedy of sexual and emotional relations without a hint of misanthropic cynicism

The Scotsman : stark, clear and beautifully disciplined production

Audience : an excellent, powerful play which has been very well produced and performed.  Mark Coleman is particularly impressive... brilliantly written, well staged... excellent play very well performed


OTHER INFORMATION

View images from this production on our Photograph Album


Reviews of original London production

"On the surface, Closer is brisk, urbane, witty, obscene, modern, quotable, slick; beneath the skin, it is deeply felt, painful, sad, and wise . . . It is about sexual jealousy and sexual desire; and it is keenly alert to human isolation even within intense relationships"
Financial Times

"Anyone who has loved and lost, anyone who has experienced infidelity or felt love die, will watch this play with stomach churning pangs of recognition . . . the writing seems to have been ripped straight from the gut. In contrast, the construction has great formal beauty, consisting of a series of duologues which gradually move the action forward. . . The sense of artistic control is formidable . . . I'd be astonished if there's a better new play this year."
Daily Telegraph

"Brutally frank, Scathingly funny. A play of and for our times."
Hollywood Reporter

"Smart, sexy sublimely funny..."
New York Post


Winner of international awards, including:

1999 Laurence Olivier Award -- Best New Play

Evening Standard award for Best Comedy 1997

Time Out award for Best New Play 1997

1999 New York Drama Critics Circle award for 
Best Foreign Play

1999 Tony Award nomination for Best Play

1999 Outer Critics Circle Award for Best Play

1999 Drama Desk Award for Best Play


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